The General Witchfinders Book Club is officially open – and we have a quick audio preview to get you in the mood.

Turn your volume up and hit play. This is a first listen to the intro jingle for our accompanying Book Club podcast.

Our first selection is Andrew Michael Hurley’s folk horror, Starve Acre.

Whether you are joining our physical circle here in Dorset or listening from afar, we want to build a community around these strange tales. Here is how you can get involved, get reading, and get featured on the show:

Grab the book from an indie: If you are local to Dorchester, head into @TeaselandSkylark to pick up your copy. If you are further afield, please bypass the big online corporations and buy from your local independent bookshop instead.

Join us in person: Ross is leading the face-to-face discussions at the Kings Arms Dorchester. Spaces are limited, so sign up directly at the Teasel & Skylark shop. Local club members get 10% off the featured books, plus 10% off all other books and gifts in-store (excluding original artwork).

Join us on the podcast: If you cannot make it to West Dorset, read along at home. Every two months, a bonus podcast episode will drop featuring Ross and special guests discussing the book.

Send us your thoughts: We want your theories and reactions. Share your comments on our social pages, or email your thoughts and audio voicemails to generalwitchfinders@gmail.com. Your voice could be featured directly in the episode.

Get your copy, start reading, and let us know what you think of the new theme music.

‘An impeccable work of folk horror.’ – The Irish Times

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Frankenstein Created Woman (1967) | Hammer Horror & Peter Cushing Deep Dive Welcome to another atmospheric installment of the General Witchfinders podcast. In this episode, we are throwing chronology to the wind and jumping straight into the heart of the Hammer Films oeuvre. Having previously explored the Baron’s first experiment in The Curse of Frankenstein and his final bow in Frankenstein and the Monster From Hell, we now settle into the middle of the franchise with the 1967 cult classic: Frankenstein Created Woman.
Directed by the undisputed master of gothic cinema, Terence Fisher, and featuring a career-defining performance by Peter Cushing, this film stands as one of the most intellectually provocative entries in the Hammer Horror canon. Interestingly, this is famously cited as one of Martin Scorsese’s favorite films, proving that the brilliance of the Baron transcends the "B-movie" label.
The Soul of Science: Baron Victor Frankenstein In Frankenstein Created Woman, Peter Cushing returns as Baron Victor Frankenstein. Unlike earlier iterations where the focus was on the stitching of limbs and the reanimation of dead tissue, the screenplay by Anthony Hinds (writing as John Elder) takes a metaphysical turn. Here, the Baron is obsessed with the soul.
The plot follows the wrongful execution of Hans Werner (Robert Morris), the lover of the physically scarred Christina Kleve (Susan Denberg). After Christina takes her own life in grief, the Baron captures Hans’s soul and traps it within Christina’s surgically repaired body. This results in a "soul-swapping" revenge thriller that remains unique within the Frankenstein series. Cushing’s performance is refined, showing a Baron who is less of a graverobber and more of a cold, calculated philosopher of the macabre.

The Legend of Susan Denberg and Nikki van der Zyl The casting of Susan Denberg is central to the film's legacy. A German-Austrian model and 1966 Playboy Miss August Playmate, Denberg was already known to sci-fi fans for her appearance in the Star Trek episode "Mudd’s Women." While her visual presence is striking, the production decided her Austrian accent was too strong for the character.
Enter the legendary Nikki van der Zyl. If you have watched a James Bond film, you have likely heard her voice. She famously dubbed Honey Ryder in Dr. No and provided dialogue for countless Bond girls and even Gert Fröbe in Goldfinger. Her work on Frankenstein Created Woman adds a layer of polished professional mystery to Christina’s character, bridging the gap between Hammer Horror and the 1960s spy-fi aesthetic.

The Hammer Character Actor Nexus As we always do at General Witchfinders, we track the "mother nexus" of British character actors who populated the halls of Bray Studios. This film is a treasure trove for genre enthusiasts:
Thorley Walters (Dr. Hertz): A close personal friend of director Terence Fisher, Walters brings a much-needed warmth to the role of the Baron's assistant. Fans will recognize him as a recurring Doctor Watson in various Sherlock Holmes adaptations, including Sherlock Holmes and the Deadly Necklace.
Duncan Lamont (Werner): A veteran of the Hammer stable, Lamont appeared in the original Quatermass Experiment and returned for the 1967 film version of Quatermass and the Pit. He is also a favorite of ours from The Creeping Flesh.
Robert Morris (Hans Werner): Another Quatermass alum who brings a tragic weight to the first half of the film.
Derek Fowlds (Johann): Long before he was a household name in Yes Minister and Heartbeat, Fowlds was a RADA scholar cutting his teeth in the world of horror.
Production History: From Bray Studios to the Screen The road to Frankenstein Created Woman was long. It was originally mooted as a follow-up to The Revenge of Frankenstein in 1958, capitalizing on the popularity of Roger Vadim's And God Created Woman. By the time it went into production at Bray Studios in July 1966, it was one of the penultimate productions at that iconic location.
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Episode link: https://play.headliner.app/episode/31961811?utm_source=youtube

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#britishgothiccinema #britishhorrorfilms #doctorwhohorror #draculaad1972 #filmhistory #filmreviews #hammerhorrorclassics #quatermassseries #retrofilmanalysis #thestonetape #tvfilm #tvreviews

LIVE EVENT: General Witchfinders x Tasel & Skylark Books Join the General Witchfinders for our first-ever live show! We are partnering with Dorchester’s premier bookshop, Tasel and Skylark, for a night of high-strung atmosphere and folk horror.
Date: Tuesday 5th May
Venue: Kings Arms Hotel, Dorchester
Featuring: Live music, exclusive story readings, a deep-dive talk on Folk Horror, and the official launch of our brand-new zine.
Tickets are strictly limited – grab yours now at www.generalwitchfinders.com (http://www.generalwitchfinders.com)
Support this show http://supporter.acast.com/general-witchfinders (http://supporter.acast.com/general-witchfinders).
Hosted on Acast. See acast.com/privacy (https://acast.com/privacy) for more information.

Episode link: https://play.headliner.app/episode/32570445?utm_source=youtube

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#britishgothiccinema #britishhorrorfilms #doctorwhohorror #draculaad1972 #filmhistory #filmreviews #hammerhorrorclassics #quatermassseries #retrofilmanalysis #thestonetape #tvfilm #tvreviews

LIVE EVENT: General Witchfinders x Tasel & Skylark Books Join the General Witchfinders for our first-ever live show! We are partnering with Dorchester’s premier bookshop, Tasel and Skylark, for a night of high-strung atmosphere and folk horror.
Date: Tuesday 5th May
Venue: Kings Arms Hotel, Dorchester
Featuring: Live music, exclusive story readings, a deep-dive talk on Folk Horror, and the official launch of our brand-new zine.
Tickets are strictly limited – grab yours now at www.generalwitchfinders.com (http://www.generalwitchfinders.com/)

The Medusa Touch (1978): Richard Burton and the Power of Catastrophe In this episode, we investigate the 1978 supernatural horror thriller The Medusa Touch. Directed by Jack Gold and adapted from the Peter Van Greenaway novel, The Medusa Touch is a quintessential piece of seventies British cinema that sits at the dark intersection of the disaster movie and the occult thriller. The film follows the investigation into the apparent murder of John Morlar, played with volcanic intensity by Richard Burton.

Richard Burton is the undeniable gravitational centre of The Medusa Touch. Despite Richard Burton only filming for three weeks and demanding a massive upfront fee, his presence as the telekinetic John Morlar defines the movie’s grim atmosphere. We discuss how Richard Burton portrayed a man who believed his thoughts could cause jumbo jets to crash and cathedrals to crumble. Interestingly, because of Richard Burton’s high cost, his character is often seen heavily bandaged in a hospital bed, allowing a stand-in to do the heavy lifting while Richard Burton provided the piercing close-ups and that legendary voice.

Fans of 90s rock will know that a specific line from Richard Burton in The Medusa Touch – ‘I will bring the whole edifice down on their unworthy heads’ – was famously sampled by the Manic Street Preachers. This misanthropic energy is what makes John Morlar such a compelling antagonist. Throughout our review of The Medusa Touch, we explore how Richard Burton channeled his own real-life disillusionment into the role of John Morlar, creating a performance that feels both radioactive and world-weary.

The supporting cast of The Medusa Touch is equally impressive. We look at Lino Ventura as Detective-Inspector Brunel, the man tasked with solving the mystery of John Morlar. Since The Medusa Touch was a co-production between the UK and France, Ventura provides a gritty, European perspective to this very British tale of destruction. Lee Remick, known for her work in The Omen, appears here as Dr Zonfeld, the psychiatrist who holds the keys to understanding the psychic pressure building inside John Morlar.

We also dive into the rich layer of British character actors that populates The Medusa Touch. From Jeremy Brett, the future Sherlock Holmes, playing the man who steals John Morlar’s wife, to the ubiquitous Harry Andrews and Gordon Jackson, The Medusa Touch serves as a ‘who’s who’ of the era’s talent. We even touch upon the vocal work of David de Keyser, whose rich tones dubbed Ventura and appeared in everything from Superman to Doctor Who.

Whether you are a fan of seventies horror, telekinesis films, or the legendary career of Richard Burton, this deep dive into The Medusa Touch has something for you. We examine the film's legacy, its sociopolitical commentary, and the sheer technical spectacle of the climactic cathedral collapse.
Support this show http://supporter.acast.com/general-witchfinders (http://supporter.acast.com/general-witchfinders).
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Episode link: https://play.headliner.app/episode/32585573?utm_source=youtube

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#britishgothiccinema #britishhorrorfilms #doctorwhohorror #draculaad1972 #filmhistory #filmreviews #hammerhorrorclassics #quatermassseries #retrofilmanalysis #thestonetape #tvfilm #tvreviews

On the 5th of May, we appeared live at the King’s Arms Hotel in Dorchester for our first event in front of an audience. We were invited by Teasel & Skylark – our local independent bookshop and the first shop to take a punt on selling our zine – to host a launch event and give a talk about Folk Horror.
Naturally, being the attention seekers we are, we jumped at the chance and twisted the premise of the talk toward the topics we love to discuss: Big Christopher Lee, M.R. James, and Nigel Kneale.
This episode is a recording of the main part of the evening. If you would like to hear some of the live readings from the zine, which is available now from generalwitchfinders.com while stocks last, please come and sign up as a patron at our Patreon. We will be posting additional content from the night there for our supporters.
A massive thank you to everyone who helped on the night. We hope to do something similar again soon.

Support this show http://supporter.acast.com/general-witchfinders (http://supporter.acast.com/general-witchfinders).
Hosted on Acast. See acast.com/privacy (https://acast.com/privacy) for more information.

Episode link: https://play.headliner.app/episode/33178297?utm_source=youtube

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#britishgothiccinema #britishhorrorfilms #doctorwhohorror #draculaad1972 #filmhistory #filmreviews #hammerhorrorclassics #quatermassseries #retrofilmanalysis #thestonetape #tvfilm #tvreviews